2012CIGE参展画廊简介：当代唐人艺术中心

　　代理艺术家Represented Artists:

　　Rirkrit Tiravanija

　　刘小东

　　王度

　　杨诘苍

　　孙原&彭禹

　　郑国谷

　　林明弘

　　林荫庭 颜磊

　　Sakarin Krue-on

　　林一林

　　Navin Rawanchaikul

　　凌健

　　何岸

　　蒋志

　　Kamin Lertchaiprasert Tawan Wattuya

　　Chusak Srikwan

　　Preeyachanok ketsuwan

　　CIGE 2012参展艺术家Exhibited Artists

　　杨诘苍 Yang Jiechang

　　Preeyachanok Ketsuwan

　　1985年出生于泰国;现生活和工作于泰国曼谷

　　Lives and works in Bangkok Thailand

　　一段时间以来性被定义为男女之间生物性的差别，并以性别的方式来进行文化的定义并限制这些差异。女性/男性，男性/女性，女人/男人，男孩/女孩-性和性别方面的不一致同样渗透到我们的思考和谈论自己和对方的方式上。在大多数情况下，我们发现自己很容易相信那些被告诉的东西，这让我想知道这是不是不真实的?一个可能的猜测是：是否作为一个女人必然意味着“女人味”。一个可能的疑问是，为什么年轻女性常常被称为女孩，而男人却很少被称为男孩。是否一个以非老套的女性方式生活的女人就可以表明是一个坏女人?

　　有一个民间故事这样说：一个女人无法证明她深爱她的男人，因为她的头发没有足够的长度穿过塔的底座，而另一个传说则是女人将会如何被惩罚，如果她结婚之前爱着某个人，会导致很多问题。那究竟是谁给女人定了这些规矩?女人又被谁所控制呢?

　　“被占领/侵犯”的主题，“作为女人”在社会结构中的角色我们可能从未认真研究过其内在的原因。也许唯一的原因只是“作为女人”。

　　For some time sex has been defined as the biological difference between men and women, and gender as the manner in which culture defines and constrains these differences. Feminine/masculine, male/female, women/men, boy/girl - terms of sexual and gender division like these permeate the way we think and talk about ourselves and each other. On most occasions we found ourselves easily believe in something just the way we were told, that makes me wonder whether this ease is illusory? One may speculate whether being a woman necessarily implies being "feminine". One may question why young women are often referred to as girls, while men are seldom referred to as boys. Is living in a non-stereotypically feminine manner a reliable indication that one is a bad woman?

　　There is a folk story of a lady who cannot proof her profound love to her man because her hair was not long enough to stretch through the pagoda’s base, and another folklore about how a women being punished if she love someone before getting married thus led to many queries. Who assign rules to women? To whom women being Possessed?

　　“Possessed/Poach” examines the inquiries in “being woman” under the social-constructed role we might never seriously investigate the underling reasons. Or maybe the only reason is being woman.

　　刘窗Liu Chuang

　　1978年出生于中国湖北;现生活和工作于中国北京

　　Lives and works in Beijing, China

　　图片说明Caption

　　1

　　杨诘苍 Yang Jiechang

　　千里江山奇妙 Tale of the 11th Day

　　2011

　　绢本工笔重彩 ink and mineral colours on silk

　　8 panels, each 148 x 232 cm, total 148 x 1856 cm.

　　2

　　Preeyachanok Ketsuwan

　　The an image of the installation view show the curtain embroider with the artist's hair in Poem

　　2011

　　3

　　刘窗Liu Chuang

　　第13号 13#

　　2012

　　木 Wood

　　2.6x2.6x2m

　　当代唐人艺术中心 提供

　　Courtesy of Tang Contemporary Art Beijing

　　更多艺术家信息请见www.tangcontemporary.com